10 track album on CD with 12 page full colour sleeve.
Also includes immediate download of the full album in a variety of formats.
ships out within 1 day
Purchasable with gift card
£7GBP
lyrics
They've done the arithmetic; theses shoes should fit
And I can try them on just as long as I remember my lines
The curtain is starting to rise
I heard on the car radio last night
They've finally decided that everyone was right all along
It was everyone else who was wrong
And since they're all so enlightened,
They think they've got the right and the means to invite us
To see things through their eyes
The curtain is starting to rise
"Watch you trip, trick questions and traps
Watch you trip, we won't watch your back"
"Don't step over, don't step over that
Don't step over, don't step off our track"
But then I hear over the sea
The voice of my judge and jury
If I let their words make me I give them the power to break me
They'll place their bets on me and then they'll want some rest from me
The tighter their grip the further I'll slip
But I'll let your words make me I'll give you the power to break me
Cos you've seen the rest of me and yet you see the best in me
Your voice will take me to glory
Is it man or God we were thinking of?
We perform and face a shouting mob
And it descends into pantomime
The curtain leaves nowhere to hide
From the Hebrides to Sydney, everybody's got the remedy
But with so many melodies
Comes one discordant fallacy
"Who are you going to please?"
supported by 4 fans who also own “Oh No He Isn't! Oh Yes He Is!”
It may not be a full-fledged LP, but All Delighted People is probably my favourite of Sufjan's works. Without an overaching album theme to tie the songs together, it felt like Sufjan was free to experiment on each track and give them their own unique sound. And because of that (and Sufjan's talent), every track on there is a standout track. Angkasawan
supported by 4 fans who also own “Oh No He Isn't! Oh Yes He Is!”
This is the first album I found that really spoke to me as a young fem.
From the simplicity, the bass drum, specifically in landfill is so steady and soothing. I love landfill because it perfectly portrays trauma bonds, sexual or romantic relationships rooted in power imbalance. Being led on, unrequited love, constantly being clueless if someone is a real friend, or a lover. Are they yours or are they ruthlessly rogue. Untameable. Love and hate are such similar feelings, and they often mingle. clementinehatepageichangedmymind
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